Johann Sebastian Bach, Anaïs Chen's 'Violin Sonata No. 1 in G Minor, BWV 1001: III. Siciliana' came out on April 12, 2024. The duration of Violin Sonata No. 1 in G Minor, BWV 1001: III. Siciliana is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Violin Sonata No. 1 in G Minor, BWV 1001: III. Siciliana's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 13 in Bach: Sonata & Concertos by Johann Sebastian Bach, Jörg Halubek, Il Gusto Barocco, Anaïs Chen. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Violin Sonata No. 1 in G Minor, BWV 1001: III. Siciliana is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Sonata No. 1 in G Minor, BWV 1001: III. Siciliana by Johann Sebastian Bach, Anaïs Chen is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
I. Gott Ist Mein König BWV 71, 1. Coro: Gott Ist Mein König | Holland Boys Choir, Netherlands Bach Collegium, Katherin Steddon, Anneke Boeke, Will Wroth, Hendrik Jan Houtsma, Sytse Buwalda, Peter Frankenberg, Bas Ramselaar, Knut Schoch, Ofer Frenke, Johann Sebastian Bach, Ruth Holton, Frank Aarnink, Susan Williams, Pieter Jan Leusink | D♭ Major | 1 | 3B | 92 BPM | ||
Baryton Trio in C Major, Hob. XI:93: II. Minuet - Trio | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
6 Sonates meleese de pieces, Op. 2: VI. Sonata in A minor "La Boucot”: II. Allemanda. Allegro | Michel Blavet, Claudio Ferrarini, Accademia Farnese | G Minor | 3 | 6A | 78 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: IV. Air contrefugué | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria und Chor. "So ist mein Jesus nun gefangen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schoenberg Chor, Bernarda Fink, Christine Schäfer, Vienna Boys' Choir, Concentus Musicus Wien | A♭ Major | 1 | 4B | 130 BPM | ||
Sonata No. 2 in A Minor, BWV 1003: I. Grave | Johann Sebastian Bach, Andrej Kurti | D♭ Minor | 1 | 12A | 89 BPM | ||
Cello Sonata in B-Flat Major, Op. 14 No. 1, RV 47: II. Allegro | Antonio Vivaldi, Antonio Mostacci, Bologna Baroque | B♭ Major | 2 | 6B | 182 BPM | ||
Concert Caprice on Norwegian Melodies | Johan Halvorsen, Emmanuele Baldini, Leonardo Bock | G Major | 1 | 9B | 100 BPM | ||
Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IIIb. Arioso e Corale "Heute wirst du mit mir" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Edward Grint, Nicolas Kuntzelmann | E Major | 4 | 12B | 101 BPM |
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