Antonio Vivaldi, Antonio Mostacci, Bologna Baroque made "Cello Sonata in B-Flat Major, Op. 14 No. 1, RV 47: II. Allegro" available on July 7, 2023. The duration of Cello Sonata in B-Flat Major, Op. 14 No. 1, RV 47: II. Allegro is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Cello Sonata in B-Flat Major, Op. 14 No. 1, RV 47: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Sonate per violoncello e continuo by Antonio Vivaldi, Antonio Mostacci, Bologna Baroque. The song's track number on the album is #2 out of 36 tracks. Based on our data, Italy was the country where this track was produced or recorded. The popularity of Cello Sonata in B-Flat Major, Op. 14 No. 1, RV 47: II. Allegro is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Cello Sonata in B-Flat Major, Op. 14 No. 1, RV 47: II. Allegro by Antonio Vivaldi, Antonio Mostacci, Bologna Baroque has a tempo of 182 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Cello Sonata in B-Flat Major, Op. 14 No. 1, RV 47: II. Allegro being at 182 BPM, the half-time would be 91 BPM with a double-time of 364 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM | ||
Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Gloria in D, R.589: Allegro: Quoniam tu solus sanctus | Antonio Vivaldi, The English Concert, Trevor Pinnock, Paul Goodwin, Mark Bennett, The English Concert Choir | D♭ Major | 2 | 3B | 130 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Sonata for Violin and Guitar in A Minor, Op. 2, No. 6, MS 26: Tempo di Walzer | Niccolò Paganini, Scott St. John, Simon Wynberg | A Minor | 2 | 8A | 147 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM |
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