On April 19, 2024, the song "Sonata No. 2 in A Minor, BWV 1003: I. Grave" was released by Johann Sebastian Bach, Andrej Kurti. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 32 in Bach: Sonatas and Partitas for Solo Violin by Johann Sebastian Bach, Andrej Kurti. Sonata No. 2 in A Minor, BWV 1003: I. Grave is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonata No. 2 in A Minor, BWV 1003: I. Grave by Johann Sebastian Bach, Andrej Kurti is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude & Fugue in C Major, K. 394: II. Fugue | Wolfgang Amadeus Mozart, Roberto Prosseda | D Major | 0 | 10B | 78 BPM | ||
were now | Alexander rincon | B Major | 2 | 1B | 117 BPM | ||
Amusement pour le violon seul, Op. 18: Altro | Louis-Gabriel Guillemain, Isabelle Faust | B♭ Minor | 0 | 3A | 122 BPM | ||
Concert Royal No. 1 in G (Version for 2 Harpsichords): IV. Menuet en trio | François Couperin, Pierre Gallon, Matthieu Boutineau | E♭ Major | 4 | 5B | 125 BPM | ||
Easter Oratorio, BWV 249: Aria: Sanfte soll mein Todeskummer (Tenor) | Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki | B♭ Minor | 1 | 3A | 35 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: V. Allegro, non troppo | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 2 | 9A | 130 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: III. Allegro Assai | Cologne Chamber Orchestra, Robert Hill, Michael Behringer, Johann Sebastian Bach | F Minor | 4 | 4A | 107 BPM | ||
Baryton Trio in C Major, Hob. XI:93: II. Minuet - Trio | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): I. Vivace | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | E♭ Major | 2 | 5B | 89 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 18, Rezitativ. "Da kam Jesus mit ihnen zu einem Hofe" | Johann Sebastian Bach, Nikolaus Harnoncourt, Christoph Prégardien, Matthias Goerne, Concentus Musicus Wien | B Major | 0 | 1B | 73 BPM |
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