Easter Oratorio, BWV 249: Aria: Sanfte soll mein Todeskummer (Tenor) - Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki Information

Acousticness: 96%
Danceability: 62%
Energy: 5%
Instrumentalness: 0%
Liveness: 23%
Loudness: 61%
Speechiness: 7%
Valence: 5%
Popularity: 3%
Loudness: -23.221 dB

Summary

"Easter Oratorio, BWV 249: Aria: Sanfte soll mein Todeskummer (Tenor)" by Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki was released on February 1, 2006. Easter Oratorio, BWV 249: Aria: Sanfte soll mein Todeskummer (Tenor) is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The song is number 7 out of 20 in Bach, J.S.: Easter Oratorio / Ascension Oratorio by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Easter Oratorio, BWV 249: Aria: Sanfte soll mein Todeskummer (Tenor) is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.

Easter Oratorio, BWV 249: Aria: Sanfte soll mein Todeskummer (Tenor) BPM

The tempo marking of Easter Oratorio, BWV 249: Aria: Sanfte soll mein Todeskummer (Tenor) by Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki is Grave (very slow), since this song has a tempo of 35 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Easter Oratorio, BWV 249: Aria: Sanfte soll mein Todeskummer (Tenor) Key

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Nocturne No.6 In G Minor, Op.15 No.3	Frédéric Chopin, Maurizio Pollini	D Minor	0	7A	105 BPM
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Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo	Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana	D♭ Major	1	3B	118 BPM
Flute Concerto No. 1 in G Major: I. Spiritoso	Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger	D Major	2	10B	112 BPM
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Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VII. Allegro scherzando	Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni	E Minor	0	9A	68 BPM
Couperin: Les Baricades mistérieuses	François Couperin, Aurora Orchestra, Nicholas Collon	B♭ Major	0	6B	65 BPM
Sonate en La Mineur, K. 109: Adagio	Domenico Scarlatti, Anne Queffélec	A Minor	0	8A	136 BPM
Overture (Suite) in B-Flat Major, TWV 55:B2: Aria IV: Sarabande	Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider	A Major	1	11B	98 BPM
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro	Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova	D♭ Major	2	3B	146 BPM

ISRC: SEAEP0561070
Label: L-M Records/RCA Records

Section: 0.6891770362854004

End: 0.6931135654449463