"Mattinata (Frühlingserwachen)" by Rudolf Schock was released on November 18, 2022. The duration of Mattinata (Frühlingserwachen) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Mattinata (Frühlingserwachen)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 20 in Dein ist mein ganzes Herz by Rudolf Schock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Mattinata (Frühlingserwachen) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mattinata (Frühlingserwachen) by Rudolf Schock is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Auch das geht klar | Roy D. Martin | G Major | 1 | 9B | 97 BPM | ||
Unter den Pinien von Argentinien | Willy Fritsch, Lilian Harvey | E♭ Major | 4 | 5B | 65 BPM | ||
Teil 5 - Folge 12: Stimmen aus dem Jenseits | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Otto Czarski, Jürgen Thormann, Maria Axt, Hans-Werner Bussinger, Paul Paulschmidt | A♭ Major | 2 | 4B | 84 BPM | ||
Straus: Manon: "Ich bin eine Frau, die weiß, was sie will" (Manon) | Oscar Straus, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Carmen · Oper in 4 Akten (deutsch gesungen), Zweiter Akt: Nr.12 Was ist Zigeuners höchste Lust? (Carmen, Frasquita, Mercédès) | Georges Bizet, Rudolf Schock, Horst Stein, Berliner Symphoniker | C Major | 3 | 8B | 125 BPM | ||
Carmen · Oper in 4 Akten (deutsch gesungen), Zweiter Akt: Nr.14 Euren Toast kann ich wohl erwidern (Torerolied: Escamillo, Frasquita, Mercédès, Carmen, Moralès, Zuniga, Chor) | Georges Bizet, Rudolf Schock, Horst Stein, Berliner Symphoniker | C Minor | 2 | 5A | 113 BPM | ||
La Paloma | Rudolf Schock | D Major | 3 | 10B | 62 BPM | ||
Jodel-Fox | Lisl Steininger, Franzl Lang | A♭ Major | 2 | 4B | 152 BPM | ||
O Rose von Stambul | Rudolf Schock | E Major | 3 | 12B | 91 BPM | ||
Raymonda, Act III: Variation 2 for four dancers | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 129 BPM |
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