Georges Bizet, Rudolf Schock, Horst Stein, Berliner Symphoniker's 'Carmen · Oper in 4 Akten (deutsch gesungen), Zweiter Akt: Nr.14 Euren Toast kann ich wohl erwidern (Torerolied: Escamillo, Frasquita, Mercédès, Carmen, Moralès, Zuniga, Chor)' came out on March 11, 2013. With this song being about 5 minutes long, at 4:51, "Carmen · Oper in 4 Akten (deutsch gesungen), Zweiter Akt: Nr.14 Euren Toast kann ich wohl erwidern (Torerolied: Escamillo, Frasquita, Mercédès, Carmen, Moralès, Zuniga, Chor)" by Georges Bizet, Rudolf Schock, Horst Stein, Berliner Symphoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 19 out of 45 in Bizet: CARMEN (sung in German) by Georges Bizet, Christa Ludwig. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Carmen · Oper in 4 Akten (deutsch gesungen), Zweiter Akt: Nr.14 Euren Toast kann ich wohl erwidern (Torerolied: Escamillo, Frasquita, Mercédès, Carmen, Moralès, Zuniga, Chor) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Carmen · Oper in 4 Akten (deutsch gesungen), Zweiter Akt: Nr.14 Euren Toast kann ich wohl erwidern (Torerolied: Escamillo, Frasquita, Mercédès, Carmen, Moralès, Zuniga, Chor) by Georges Bizet, Rudolf Schock, Horst Stein, Berliner Symphoniker is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
La Gioconda / Act 3: Dance of the Hours | Amilcare Ponchielli, Michaela Rózsa Růžičková, Czech Symphony Orchestra | E Major | 1 | 12B | 65 BPM | ||
Les Pecheurs De Perles (The Pearl Fishers): Les Pecheurs De Perles (The Pearl Fishers), Act 1: Au Fond Du Temple Saint | Eugene Cormon, Slovak Radio Symphony Orchestra, Igor Morozov, Janez Lotric, Michel Carre, Georges Bizet | E♭ Major | 1 | 5B | 132 BPM | ||
Strauss Jr., J.: Frühlingsstimmen, Op. 410 (Excerpt) | Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky | B♭ Major | 1 | 6B | 112 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Serenade for Strings in E, Op. 22: 2. Tempo di valse | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin Davis | F♯ Minor | 0 | 11A | 93 BPM | ||
Jeux d'enfants, Op. 22: I. March | Georges Bizet, Barry Wordsworth, London Symphony Orchestra | C Major | 1 | 8B | 132 BPM | ||
Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | D Minor | 3 | 7A | 101 BPM | ||
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM |
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