"Arabella, Op. 79, TrV 263 / Act III: Das war sehr gut, Mandryka - Live" by Richard Strauss, Renée Fleming, The Metropolitan Opera, Christoph Eschenbach was released on January 13, 2023. With this song being about 5 minutes long, at 4:52, "Arabella, Op. 79, TrV 263 / Act III: Das war sehr gut, Mandryka - Live" by Richard Strauss, Renée Fleming, The Metropolitan Opera, Christoph Eschenbach is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Renée Fleming, The Metropolitan Opera's "Her Greatest Moments at the MET" album is number 8 out of 32. On top of that, United States appears to be the country where this track was created. Arabella, Op. 79, TrV 263 / Act III: Das war sehr gut, Mandryka - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Arabella, Op. 79, TrV 263 / Act III: Das war sehr gut, Mandryka - Live by Richard Strauss, Renée Fleming, The Metropolitan Opera, Christoph Eschenbach to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | B♭ Minor | 0 | 3A | 82 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": III. Nicht schnell | Robert Schumann, Staatskapelle Dresden, Wolfgang Sawallisch | A♭ Major | 0 | 4B | 82 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Overture | Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner | C Major | 3 | 8B | 92 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM |
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