John Wilbye, Consort Of Musicke, Anthony Rooley made "First Set of English Madrigals (1598): 11. Thus saith my Cloris bright" available on January 1, 1998. With First Set of English Madrigals (1598): 11. Thus saith my Cloris bright being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Consort Of Musicke, Anthony Rooley's "Gibbons/Wilbye/Morley: The Silver Swan; English Madrigals" album is number 23 out of 58. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, First Set of English Madrigals (1598): 11. Thus saith my Cloris bright is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of First Set of English Madrigals (1598): 11. Thus saith my Cloris bright by John Wilbye, Consort Of Musicke, Anthony Rooley to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Love, Alas, Yet Am Not Loved | Studentenkoor Gica, John Wilbye | F♯ Minor | 0 | 11A | 128 BPM | ||
Te Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveni | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
Second Set of Madrigals, 1609: 32. Stay, Corydon, thou swain | John Wilbye, Consort Of Musicke, Anthony Rooley | E Major | 2 | 12B | 93 BPM | ||
La Parma | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | F Major | 0 | 7B | 139 BPM | ||
Now Is the Month of Maying | Thomas Morley, Hannah Morrison, Marnix De Cat, Hathor Consort, Romina Lischka | F♯ Major | 3 | 2B | 202 BPM | ||
Quis numerare queat: II. Audivit ipse | Loyset Compère, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | ||
4 Tantum ergo, WAB 41: No. 4 in C Major (Version for Choir) | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | ||
Der Mensch lebt und bestehet nur eine kleine Zeit | Max Reger, Vienna Chamber Choir, Michael Grohotolsky | C Major | 1 | 8B | 97 BPM | ||
Missa pro Quadragesima, MH 551: Credo: Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Major | 1 | 4B | 129 BPM |
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