Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva, Mario Carlin's 'Il Barbiere di Siviglia, Act I, Scene One: Piano, pianissimo, senza parlar (Fiorello/Coro/Conte)' came out on 1958. The duration of Il Barbiere di Siviglia, Act I, Scene One: Piano, pianissimo, senza parlar (Fiorello/Coro/Conte) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Il Barbiere di Siviglia, Act I, Scene One: Piano, pianissimo, senza parlar (Fiorello/Coro/Conte)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 53 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #2. In terms of popularity, Il Barbiere di Siviglia, Act I, Scene One: Piano, pianissimo, senza parlar (Fiorello/Coro/Conte) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il Barbiere di Siviglia, Act I, Scene One: Piano, pianissimo, senza parlar (Fiorello/Coro/Conte) by Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva, Mario Carlin having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gianni Schicchi: "Ai miei cugioni Zita e Simone" | Giacomo Puccini, Eva Podles, Enrico Fissore, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | C Major | 0 | 8B | 97 BPM | ||
Un ballo in maschera / Act 1: "Volta la terrea...Signori: oggi d'Ulrica" | Giuseppe Verdi, Kathleen Battle, Luciano Pavarotti, Alexander Oliver, Renato Bruson, Robert Lloyd, Malcolm King, The London Opera Chorus, National Philharmonic Orchestra, Sir Georg Solti | A♭ Major | 3 | 4B | 67 BPM | ||
Il Barbiere di Siviglia: Finora in questa camera - Ehi, di casa! | Gioachino Rossini, Cesare Sterbini, Hertha Glaz, Giuseppe Di Stefano, Salvatore Baccaloni, Lily Pons, Jerome Hines, Alberto Erede | F Major | 2 | 7B | 79 BPM | ||
Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville) | Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | D Minor | 2 | 7A | 94 BPM | ||
L'elisir d'amore / Act I: "Una parola, Adina" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 0 | 6B | 114 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Sediziose voci (Norma/Oroveso/Coro) | Vincenzo Bellini, Maria Callas, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | B♭ Minor | 1 | 3A | 85 BPM | ||
Rigoletto / Act 3: Un dì, se ben rammentomi | Giuseppe Verdi, Ileana Cotrubas, Elena Obraztsova, Plácido Domingo, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini | E Major | 1 | 12B | 126 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Meco all'altar di Venere (Pollione) | Vincenzo Bellini, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 3 | 9B | 98 BPM | ||
Nabucco / Act 4: Dio di Giuda! | Giuseppe Verdi, Piero Cappuccilli, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | F Major | 1 | 7B | 83 BPM | ||
La Cenerentola / Act 2: "Sia qualunque delle figlie" | Gioachino Rossini, Enzo Dara, Gloria Banditelli, Fernanda Costa, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Major | 3 | 10B | 140 BPM |
Section: 0.8512299060821533
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