Giuseppe Verdi, Enrico Caruso, Salvatore Cottone's 'Aida: Aida: Celeste Aida' came out on June 8, 2001. The duration of Aida: Aida: Celeste Aida is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Aida: Aida: Celeste Aida's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 27 in Caruso, Enrico: Complete Recordings, Vol. 1 (1902-1903) by Enrico Caruso. Based on our statistics, Aida: Aida: Celeste Aida's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aida: Aida: Celeste Aida by Giuseppe Verdi, Enrico Caruso, Salvatore Cottone is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 110 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
La traviata: Act I: Libiamo ne' lieti calici (Brindisi) | Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 66 BPM | ||
Madama Butterfly / Act II: "Un bel dì vedremo" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Major | 1 | 2B | 86 BPM | ||
Nabucco / Act 1: Si finga ...Tremin gl'isani del mio furore! | Giuseppe Verdi, Piero Cappuccilli, Lucia Valentini Terrani, Plácido Domingo, Lucia Popp, Yevgeny Nesterenko, Ghena Dimitrova, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | B Major | 3 | 1B | 81 BPM | ||
Don Pasquale: Tornami a dir che m'ami | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | A Major | 0 | 11B | 90 BPM | ||
Aida / Act 2: "Gloria all'Egitto" | Giuseppe Verdi, Dresden State Opera Chorus, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso | E♭ Major | 2 | 5B | 115 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Messa da Requiem: VII Requiem aeternam | Cesar Hernandez, Hungarian State Opera Orchestra, Elena Filipova, Hungarian State Opera Chorus, Gloria Scalchi, Carlo Colombara | E Major | 6 | 12B | 115 BPM |
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