"Romances: No. 1 in G, Op.40 (c1802)" by Sir John Pritchard, Philharmonia Orchestra, Yehudi Menuhin was released on October 30, 2009. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 100 Best Violin, so we believe that "Romances: No. 1 in G, Op.40 (c1802)" is a single. In terms of popularity, Romances: No. 1 in G, Op.40 (c1802) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Romances: No. 1 in G, Op.40 (c1802) by Sir John Pritchard, Philharmonia Orchestra, Yehudi Menuhin is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Carmina Burana / 2. In Taberna: "Olim lacus colueram" | Carl Orff, Gerhard Stolze, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin | G Major | 1 | 9B | 136 BPM | ||
Per L'efon, Serie 4, No. 3 | Joseph Canteloube, Patricia Rozario, Philharmonia Orchestra, Sir John Pritchard | B♭ Minor | 1 | 3A | 78 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | B Major | 2 | 1B | 86 BPM | ||
Roméo et Juliette, CG 9, Act III: Depuis hier je cherche en vain mon maitre! | Charles Gounod, Sir John Pritchard, Frederica von Stade, London Philharmonic Orchestra | F Major | 1 | 7B | 81 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice), Wq. 30: "Che fiero momento" | Christoph Willibald Gluck, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | F Minor | 2 | 4A | 131 BPM | ||
Carmen, Act I, No.4 Choeur des Cigarières: Voyez-les! regards impudents....Dans l'air nous suivons des yeux (Dragons/Cigarières) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | E Major | 1 | 12B | 85 BPM | ||
Lou Coucut, Serie 4, No. 6 | Joseph Canteloube, Patricia Rozario, Sir John Pritchard, Philharmonia Orchestra | B♭ Major | 3 | 6B | 99 BPM | ||
Act Three, Scene Two | Orchestra of the Accademia di Santa Cecilia, Rome, Dame Joan Sutherland, Cesare Siepi, Robert Merrill, Chorus Of The Accademia Di Santa Cecilia, Rome, Renato Cioni, Kenneth Macdonald, Sir John Pritchard | D Major | 2 | 10B | 98 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 2: Valse moderato | Franz Lehár, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 98 BPM |
Section: 0.6998698711395264
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