"Roméo et Juliette, CG 9, Act III: Depuis hier je cherche en vain mon maitre!" by Charles Gounod, Sir John Pritchard, Frederica von Stade, London Philharmonic Orchestra was released on 1975. With this song being about 5 minutes long, at 5:16, "Roméo et Juliette, CG 9, Act III: Depuis hier je cherche en vain mon maitre!" by Charles Gounod, Sir John Pritchard, Frederica von Stade, London Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 251 in Frederica von Stade - The Complete Columbia Recital Albums by Frederica von Stade. Roméo et Juliette, CG 9, Act III: Depuis hier je cherche en vain mon maitre! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Roméo et Juliette, CG 9, Act III: Depuis hier je cherche en vain mon maitre! by Charles Gounod, Sir John Pritchard, Frederica von Stade, London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem en ré mineur, Op. 48: "Pie Jesu" | Gabriel Fauré, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs, Elizabeth Geiger | B♭ Major | 1 | 6B | 95 BPM | ||
Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Stephen Kovacevich | A♭ Major | 0 | 4B | 126 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Fabrizio von Arx, Christian Benda | E♭ Major | 1 | 5B | 133 BPM | ||
Messe solennelle de Sainte Cécile: Agnus Dei | Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France, Orchestre Philharmonique de Radio France | B♭ Major | 2 | 6B | 96 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 'Moonlight': I. Adagio sostenuto (Excerpt) | Ludwig van Beethoven | B Minor | 0 | 10A | 76 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Requiem, Op. 48: VIII. In Paradisum | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, La Maîtrise de Paris | D Major | 1 | 10B | 74 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Frédéric Lodéon, François-René Duchâble | E♭ Major | 2 | 5B | 76 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM |
Section: 0.7951488494873047
End: 0.7986488342285156