Anónima, Fahmi Alqhai, Accademia del Piacere, Raquel Andueza's 'Di, perra mora' came out on February 8, 2013. The duration of Di, perra mora is about 3 minutes long, at 3:28. Based on our data, "Di, perra mora" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Rediscovering Spain - Fantasías, diferencias & glosas". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Spain. Di, perra mora is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Di, perra mora by Anónima, Fahmi Alqhai, Accademia del Piacere, Raquel Andueza having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tieteberga, RV 737: Sento in seno (Aria) | Le Concert de l'Hostel Dieu, Heather Newhouse | B♭ Minor | 1 | 3A | 116 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
12 Danzas Españolas, Op. 37: 5. Andaluza | Enrique Granados, Xavier De Maistre | E Minor | 1 | 9A | 151 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: III. Sarabande | Robert de Visée, Jean Rondeau | D♭ Minor | 1 | 12A | 0 BPM | ||
Dialogo sopra un Pass'emezzo | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Minor | 1 | 6A | 116 BPM | ||
Tocata per B quadro | Fahmi Alqhai, Marivi Blasco, Accademia del Piacere, Rami Alqhai, Juan Ramón Lara | A♭ Minor | 3 | 1A | 103 BPM | ||
Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM | ||
V. 1539 Muerte de la Esposa de Carlos V: "Mille Regretz" (Chanson) | Josquin des Prez, Pascal Bertin, Josep Hernández, Lambert Climent, Daniele Carnovich | A Minor | 0 | 8A | 75 BPM | ||
Chaconne Marais | Marin Marais, Fahmi Alqhai, Accademia del Piacere | F♯ Major | 2 | 2B | 120 BPM | ||
La tarantella | Cristofaro Caresana, Antonio Florio, Cappella de' Turchini | A♭ Minor | 2 | 1A | 102 BPM |
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