Fahmi Alqhai, Marivi Blasco, Accademia del Piacere, Rami Alqhai, Juan Ramón Lara's 'Tocata per B quadro' came out on 2006. With Tocata per B quadro being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Fahmi Alqhai, Marivi Blasco's "Le Lacrime Di Eros" album is number 7 out of 14. In terms of popularity, Tocata per B quadro is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tocata per B quadro by Fahmi Alqhai, Marivi Blasco, Accademia del Piacere, Rami Alqhai, Juan Ramón Lara to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les plaisirs: Gavotte pour les Suisses | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 121 BPM | ||
The English Dancing Master: Parson's Farewell | John Playford, Dorothee Oberlinger | C Major | 1 | 8B | 112 BPM | ||
Si Dolce e'l Tormento | Rocío Márquez, Fahmi Alqhai | F♯ Major | 2 | 2B | 81 BPM | ||
Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. for Viola da gamba): I. Prelude | Johann Sebastian Bach, Fahmi Alqhai | F♯ Major | 1 | 2B | 128 BPM | ||
Sua Corrente | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 1 | 12A | 135 BPM | ||
Arpeggiata a mio modo (2004) | Stephen Stubbs | E♭ Minor | 0 | 2A | 84 BPM | ||
Sonate, arie et correnti, Op.3, RISM A/I: U 14: Aria quinta sopra la Bergamasca | Marco Uccellini, Dorothee Oberlinger, Dmitry Sinkovsky | D Major | 2 | 10B | 139 BPM | ||
Unquiet Thoughts | John Dowland, Grace Davidson, David Miller | G Major | 0 | 9B | 103 BPM | ||
Vivaldi, De Courson & Le Berre: Eirin Sonata (After Vivaldi's Cello Concerto, RV 407) | Antonio Vivaldi, Le Orfanelle Della Pieta, Nollaig Casey, Emer Mayock | A Major | 0 | 11B | 106 BPM | ||
A Ground in D Minor | Gottfried Finger, Maurice Steger, La Cetra | A♭ Minor | 2 | 1A | 108 BPM |
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