Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, María Dueñas's 'Altar de cuerda: I. Morisco chilango' came out on May 10, 2024. Since Altar de cuerda: I. Morisco chilango is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 3 in the song's album "Ortiz: Altar de Cuerda". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Altar de cuerda: I. Morisco chilango's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Altar de cuerda: I. Morisco chilango by Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, María Dueñas having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird: Berceuse (arr. S. Dushkin for violin and piano) | Samuel Dushkin, Igor Stravinsky, Jascha Heifetz, Emmanuel Bay | A♭ Minor | 2 | 1A | 138 BPM | ||
Violin Sonata No. 6 in G Minor, Op. 103: II. Andante sostenuto | Robert Fuchs, Hyejin Chung, Warren Lee | E♭ Major | 1 | 5B | 86 BPM | ||
Altar de cuerda: II. Canto abierto | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, María Dueñas | F Major | 2 | 7B | 89 BPM | ||
String Quartet No. 9 in E-Flat Major, Op. 117: III. Allegretto | Dmitri Shostakovich, Carducci String Quartet | D♭ Major | 0 | 3B | 83 BPM | ||
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
Piano Trio in E-Flat Major, D. 929, Op. 100: II. Andante con moto | Franz Schubert, Trio Zeliha, Manon Galy, Maxime Quennesson, Jorge Gonzalez Buajasan | C Minor | 0 | 5A | 72 BPM | ||
Two Pieces for violin, viola and piano: I. Un poco andante | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: III. Scherzino (Allegro – Andantino - Allegro) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | F Minor | 0 | 4A | 104 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. Allegro | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Zwei Stimmungen, Op. 32: No. 1 in D Minor (Arr. B. A. Smith for Cello & Piano) | Joseph Achron, Brinton Averil Smith, Evelyn Chen | D Minor | 1 | 7A | 89 BPM |
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