"The Firebird: Berceuse (arr. S. Dushkin for violin and piano)" by Samuel Dushkin, Igor Stravinsky, Jascha Heifetz, Emmanuel Bay was released on January 1, 1950. The duration of The Firebird: Berceuse (arr. S. Dushkin for violin and piano) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. The Firebird: Berceuse (arr. S. Dushkin for violin and piano)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jascha Heifetz's "Heifetz: Encores, Vol. 1 (1946-1956)" album is number 13 out of 28. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, The Firebird: Berceuse (arr. S. Dushkin for violin and piano)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Firebird: Berceuse (arr. S. Dushkin for violin and piano) by Samuel Dushkin, Igor Stravinsky, Jascha Heifetz, Emmanuel Bay to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes, Op. 9: II. Andante (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | E♭ Major | 1 | 5B | 170 BPM | ||
Meditations for String Quartet: V. — | Koben Sprengers, Ma'at Ensemble | C Major | 2 | 8B | 102 BPM | ||
Hexapoda: No. 2, Jane Shakes Her Head | Robert Russell Bennett, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Waltz | Pyotr Ilyich Tchaikovsky, Jascha Heifetz | G Major | 1 | 9B | 105 BPM | ||
Malta Suite for Clarinet and Piano: I. Il qarinza | Charles Camilleri, David Campbell, Julian Jacobson | G Major | 1 | 9B | 110 BPM | ||
我が母の教え給いし歌 | Antonín Dvořák, Emiri Miyamoto | C Minor | 1 | 5A | 94 BPM | ||
Scherzo (1954) | Jānis Ķepītis, Duo Arnicans | F Major | 2 | 7B | 132 BPM | ||
Piano Trio in D Minor, Op. 120: III. Allegro vivo | Gabriel Fauré, Florestan Trio | G Major | 1 | 9B | 97 BPM | ||
The New Four Seasons - Spring: III. Dances with Nymphs (After Violin Concerto No. 1, Op. 8, RV 269, III. Danza pastorale, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | B♭ Major | 1 | 6B | 80 BPM | ||
Rozhaki Bad | Criticalx47 | A Major | 0 | 11B | 81 BPM |
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