"Altar de cuerda: II. Canto abierto" by Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, María Dueñas was released on May 10, 2024. Altar de cuerda: II. Canto abierto appears to be safe for all ages as it is not explicit. There are a total of 3 in the song's album "Ortiz: Altar de Cuerda". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Altar de cuerda: II. Canto abierto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Altar de cuerda: II. Canto abierto by Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, María Dueñas having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | ||
Three Doors (II) - Concert Performance | Ümit Armağan | C Minor | 2 | 5A | 133 BPM | ||
Unicamente la verdad: Obertura Orquestal | Gabriela Ortiz, Nieves Navarro, Gerardo Reynoso, Jose Luis Ordoñez, José Adán Pérez, Armando Gama, John Atkins, Orchestra, José Areán, Christian Gohmer | B Minor | 5 | 10A | 99 BPM | ||
Symphony-Concerto in E minor, Op. 125: I. Andante | Sergei Prokofiev, Christian Poltéra, Lahti Symphony Orchestra, Anja Bihlmaier | A Major | 2 | 11B | 160 BPM | ||
Trio for Clarinet, Violin & Piano: I. Freylakh | Paul Schoenfield, Patricia Kopatchinskaja, Reto Bieri, Polina Leschenko | F Minor | 4 | 4A | 83 BPM | ||
Three Miniatures for Solo Violin: I. A Lullaby for Lalit | George Benjamin, Carolin Widmann | D Major | 1 | 10B | 108 BPM | ||
Water Drops, JS 216 | Jean Sibelius, Janine Jansen, Klaus Mäkelä | C Major | 1 | 8B | 101 BPM | ||
Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass: II. Adagio molto | Charles Martin Loeffler, Graeme Steele Johnson, David Shifrin, Bridget Kibbey, Stella Chen, Siwoo Kim, Matthew Lipman, Samuel DeCaprio, Sam Suggs | F Minor | 2 | 4A | 140 BPM | ||
Symphony No. 9 in D Major: I. Andante comodo: No. 1, Andante comodo | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D Major | 1 | 10B | 109 BPM |
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