Cinque canti all'antica, P. 71, No. 2. Ma come potrei: Cinque canti all'antica, P. 71: No. 2, Ma come potrei
Ottorino Respighi, Ainhoa Arteta, Alejandro Zabala
Ainhoa Arteta - Recital
2:12 May 1, 2013
BPM
174
Key
F Minor
Camelot
4A

Embed

Share Link

Cinque canti all'antica, P. 71, No. 2. Ma come potrei: Cinque canti all'antica, P. 71: No. 2, Ma come potrei - Ottorino Respighi, Ainhoa Arteta, Alejandro Zabala Information

Acousticness
99%
Danceability
31%
Energy
5%
Instrumentalness
0%
Liveness
10%
Loudness
59%
Speechiness
7%
Valence
6%
Popularity
Loudness
-24.524 dB

Summary

"Cinque canti all'antica, P. 71, No. 2. Ma come potrei: Cinque canti all'antica, P. 71: No. 2, Ma come potrei" by Ottorino Respighi, Ainhoa Arteta, Alejandro Zabala was released on May 1, 2013. The duration of Cinque canti all'antica, P. 71, No. 2. Ma come potrei: Cinque canti all'antica, P. 71: No. 2, Ma come potrei is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Cinque canti all'antica, P. 71, No. 2. Ma come potrei: Cinque canti all'antica, P. 71: No. 2, Ma come potrei's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 28 in Ainhoa Arteta - Recital by Ainhoa Arteta. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. The popularity of Cinque canti all'antica, P. 71, No. 2. Ma come potrei: Cinque canti all'antica, P. 71: No. 2, Ma come potrei is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Cinque canti all'antica, P. 71, No. 2. Ma come potrei: Cinque canti all'antica, P. 71: No. 2, Ma come potrei BPM

The tempo marking of Cinque canti all'antica, P. 71, No. 2. Ma come potrei: Cinque canti all'antica, P. 71: No. 2, Ma come potrei by Ottorino Respighi, Ainhoa Arteta, Alejandro Zabala is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Cinque canti all'antica, P. 71, No. 2. Ma come potrei: Cinque canti all'antica, P. 71: No. 2, Ma come potrei Key

This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Nocturnes, Op. 27: No. 2 in D-Flat Major by Frédéric Chopin, Arthur RubinsteinNocturnes, Op. 27: No. 2 in D-Flat MajorFrédéric Chopin, Arthur RubinsteinD♭ Major03B77 BPM
Après un rêve, Op. 7, No. 1 by Gabriel Fauré, Yo-Yo MaAprès un rêve, Op. 7, No. 1Gabriel Fauré, Yo-Yo MaF Minor04A115 BPM
Il Padrino (for Harp): Un poco liberamente by Nino Rota, Naoko YoshinoIl Padrino (for Harp): Un poco liberamenteNino Rota, Naoko YoshinoF Minor04A83 BPM
The Birds, P. 154: IV. The Nightingale (L'usignolo) by Ottorino Respighi, Orpheus Chamber OrchestraThe Birds, P. 154: IV. The Nightingale (L'usignolo)Ottorino Respighi, Orpheus Chamber OrchestraC Major08B85 BPM
Études, Op. 10: Etude No. 6 in E-Flat Minor, Op. 10, No. 6 by Frédéric Chopin, Idil BiretÉtudes, Op. 10: Etude No. 6 in E-Flat Minor, Op. 10, No. 6Frédéric Chopin, Idil BiretA♭ Major04B73 BPM
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) by Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyTahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two)Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyA♭ Major14B138 BPM
Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Dumka (Arr. P. Breiner for Piano) by Antonín Dvořák, Peter BreinerSlavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Dumka (Arr. P. Breiner for Piano)Antonín Dvořák, Peter BreinerC Major08B132 BPM
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue by Ralph Vaughan Williams, Andrew Davis, BBC Symphony OrchestraVaughan Williams: Job, a Masque for Dancing, Scene 9: EpilogueRalph Vaughan Williams, Andrew Davis, BBC Symphony OrchestraG Minor06A99 BPM
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante by Ludwig van Beethoven, Mischa Maisky, Martha ArgerichSonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. AndanteLudwig van Beethoven, Mischa Maisky, Martha ArgerichC Major08B66 BPM
5 Songs from the Norwegian: No. 5. Sunset (arr. J. Lloyd Webber for cello and piano) by Frederick Delius, Julian Lloyd Webber, John Lenehan5 Songs from the Norwegian: No. 5. Sunset (arr. J. Lloyd Webber for cello and piano)Frederick Delius, Julian Lloyd Webber, John LenehanF♯ Major02B69 BPM
ISRC
ESAAI0201896
Label
L-M Records/RCA Records

Section: 0.5923211574554443

End: 0.5977118015289307