"Après un rêve, Op. 7, No. 1" by Gabriel Fauré, Yo-Yo Ma was released on 2015. The duration of Après un rêve, Op. 7, No. 1 is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Après un rêve, Op. 7, No. 1's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Songs from the Arc of Life". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Après un rêve, Op. 7, No. 1 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Après un rêve, Op. 7, No. 1 by Gabriel Fauré, Yo-Yo Ma having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) | Academy of St. Martin in the Fields | E Minor | 0 | 9A | 168 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
Rhapsody On a Theme of Paganini, Op. 43: V. Variation XVIII | Sergei Rachmaninoff, Valery Gergiev, Mariinsky Orchestra, Denis Matsuev | D♭ Major | 0 | 3B | 175 BPM | ||
La Gitana | Fritz Kreisler, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 76 BPM | ||
6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM | ||
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D Major | 1 | 10B | 125 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 69 BPM |
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