Theodora, HWV 68, Pt. I: Recitative. O Love! How Great Thy Pow’r! - George Frideric Handel, Arcangelo, Jonathan Cohen, Anna Stephany Information

Acousticness: 96%
Danceability: 51%
Energy: 11%
Instrumentalness: 0%
Liveness: 25%
Loudness: 63%
Speechiness: 8%
Valence: 20%
Popularity: 0%
Loudness: -22.466 dB

Summary

George Frideric Handel, Arcangelo, Jonathan Cohen, Anna Stephany's 'Theodora, HWV 68, Pt. I: Recitative. O Love! How Great Thy Pow’r!' came out on February 23, 2024. With Theodora, HWV 68, Pt. I: Recitative. O Love! How Great Thy Pow’r! being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Arcangelo, Jonathan Cohen's "Handel: Theodora, HWV 60" album is number 29 out of 78. On top of that, France appears to be the country where this track was created. Theodora, HWV 68, Pt. I: Recitative. O Love! How Great Thy Pow’r! is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Theodora, HWV 68, Pt. I: Recitative. O Love! How Great Thy Pow’r! BPM

We consider the tempo marking of Theodora, HWV 68, Pt. I: Recitative. O Love! How Great Thy Pow’r! by George Frideric Handel, Arcangelo, Jonathan Cohen, Anna Stephany to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Theodora, HWV 68, Pt. I: Recitative. O Love! How Great Thy Pow’r! Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture	Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques	B♭ Major	3	6B	128 BPM
Symphony No. 4 in F Major: 1. Allegro	William Boyce, Academy of Ancient Music, Christopher Hogwood	E Major	2	12B	95 BPM
Concerto grosso No. 12 in B Minor, Op. 6/12, HWV 330: III. Larghetto, e piano	George Frideric Handel, Trevor Connah, Raymond Keenlyside, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	1	6A	169 BPM
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai	Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment	E Major	3	12B	109 BPM
Suite From Abdelzar: VI. Air	Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon	F♯ Minor	2	11A	101 BPM
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo)	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	A Minor	1	8A	79 BPM
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings)	Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	G Minor	1	6A	77 BPM
Oboe Concerto in G Minor, Op. 9, No. 8: III. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	G Minor	3	6A	108 BPM
Simphonia V: Chaconne in D Major	Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza	D♭ Major	1	3B	121 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM

ISRC: FR50X2302529
Label: L-M Records/RCA Records

Section: 0.8182034492492676

End: 0.8215649127960205