Jordi Savall made "Allemande La Bizarre, IV.77 (Marais)" available on January 1, 2006. The duration of Allemande La Bizarre, IV.77 (Marais) is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Allemande La Bizarre, IV.77 (Marais)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jordi Savall's "Marin Marais: Suite D'Un Goût Etranger / Pièces De Viole Du IV Livre, 1717" album is number 5 out of 33. On top of that, Switzerland appears to be the country where this track was created. Allemande La Bizarre, IV.77 (Marais) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Allemande La Bizarre, IV.77 (Marais) by Jordi Savall to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Sibil-La Mallorquina: Del Morir Serà Tot Lur Talens, R/ (Monastère Des Nonnes De La Concepció) | La Capella Reial De Catalunya, Montserrat Figueras, Jordi Savall | F Major | 0 | 7B | 65 BPM | ||
Ouverture-Suite B-Dur, TWV 55:B1: VIII. Conclusion. Furioso | Georg Philipp Telemann, Jordi Savall | A Major | 5 | 11B | 132 BPM | ||
Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM | ||
Sibil-La Mallorquina: So Es Aquest Que Nos Panges R/ (Monastère Des Nonnes De La Concepció) | La Capella Reial De Catalunya, Montserrat Figueras, Jordi Savall | B♭ Major | 0 | 6B | 78 BPM | ||
Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 102 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Magnificat en sol mineur, RV 610: I. Magnificat | Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D♭ Major | 3 | 3B | 114 BPM | ||
La Rêveuse - 4ème livre de Pièces de viole (Marin Marais) | Marin Marais, Pierre Hantaï, Rolf Lislevand, Jordi Savall | E Minor | 0 | 9A | 84 BPM | ||
Ludi Musici: Courant Dolorosa | Samuel Scheidt, Jordi Savall | A Major | 1 | 11B | 48 BPM |
Section: 0.49935364723205566
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