"Sibil-La Mallorquina: Del Morir Serà Tot Lur Talens, R/ (Monastère Des Nonnes De La Concepció)" by La Capella Reial De Catalunya, Montserrat Figueras, Jordi Savall was released on January 1, 2004. The duration of Sibil-La Mallorquina: Del Morir Serà Tot Lur Talens, R/ (Monastère Des Nonnes De La Concepció) is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Sibil-La Mallorquina: Del Morir Serà Tot Lur Talens, R/ (Monastère Des Nonnes De La Concepció)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 25 in El Cant De La Sibil-La: Mallorca / València, 1400-1560 by La Capella Reial De Catalunya, Montserrat Figueras, Jordi Savall. Sibil-La Mallorquina: Del Morir Serà Tot Lur Talens, R/ (Monastère Des Nonnes De La Concepció) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sibil-La Mallorquina: Del Morir Serà Tot Lur Talens, R/ (Monastère Des Nonnes De La Concepció) by La Capella Reial De Catalunya, Montserrat Figueras, Jordi Savall is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mouton: Salva Nos, Domine | The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 73 BPM | ||
Fantaisie: VII. Chaconne | Jean-Féry Rebel, Jordi Savall | D♭ Major | 5 | 3B | 135 BPM | ||
Improvisació viella | Viva Biancaluna Biffi | A Minor | 2 | 8A | 99 BPM | ||
Concert pour quatre parties de violes, H. 545: IV. Gigue anglaise | Marc-Antoine Charpentier, Jordi Savall, Le Concert Des Nations | A Minor | 0 | 8A | 80 BPM | ||
Alcione, Acte I Scène 3: Tempête - "Quel bruit ! Quels terribles éclats!" | Marin Marais, Jordi Savall, Léa Desandre, Cyril Auvity, Le Concert Des Nations | D Minor | 6 | 7A | 110 BPM | ||
L'Orfeo, Atto secondo: VI. Ahi, caso acerbo! | Claudio Monteverdi, Jordi Savall, Sara Mingardo, La Capella Reial De Catalunya, Le Concert Des Nations | D Minor | 1 | 7A | 137 BPM | ||
Ortiz: Folia VIII | Diego Ortiz, Hespèrion XX, Jordi Savall | F Major | 0 | 7B | 113 BPM | ||
Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: VII. Menuet I & II | Georg Philipp Telemann, Jordi Savall | F♯ Major | 1 | 2B | 97 BPM | ||
Chansons: De plus en plus se renouvelle | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | A♭ Major | 0 | 4B | 69 BPM | ||
Alcione, Acte V Scène 2: "Barbares, laissez-moi ; votre pitié m’offense" | Marin Marais, Jordi Savall, Lea Desandre, Marc Mauillon, Le Concert Des Nations | B♭ Minor | 1 | 3A | 89 BPM |
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