Bertil Palmar Johansen, Caroline Eidsten Dahl's 'Cantus for solo recorder: III. Syng mer' came out on December 9, 2014. With Cantus for solo recorder: III. Syng mer being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 19 in Blockbird (Norwegian Recorder Music) by Caroline Eidsten Dahl. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. In terms of popularity, Cantus for solo recorder: III. Syng mer is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cantus for solo recorder: III. Syng mer by Bertil Palmar Johansen, Caroline Eidsten Dahl is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
September in Ann Arbor | Will | D Major | 0 | 10B | 79 BPM | ||
28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 6 (Recomposed by Luca Astolfoni Fossi) | Johann Joachim Quantz, Claudio Ferrarini | G Major | 2 | 9B | 86 BPM | ||
L'impromptu: Allemande | Francesca Torelli, Charles Mouton | A Minor | 1 | 8A | 129 BPM | ||
Theme and Variations in G Minor | George Frideric Handel, Volker Sellmann | B Minor | 6 | 10A | 92 BPM | ||
Versi sopra la messa che si canta nelle domeniche dell'anno: IV. Agnus dei | Giovanni Salvatore, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | D♭ Major | 1 | 3B | 92 BPM | ||
Fantazia V, Z. 736 | Henry Purcell, John Holloway, Monika Baer, Renate Steinmann, Martin Zeller | E Major | 2 | 12B | 139 BPM | ||
3 Préludes (Arr. for Harp): No. 2, Moderato | Alexander Baltin, Cristina Bianchi | D♭ Minor | 0 | 12A | 100 BPM | ||
Preludes, Op. 28: No. 20 in C Minor, B. 107 (Arr. for Cello Quartet by Piotr Moss) | Frédéric Chopin, Polish Cello Quartet | D♭ Minor | 0 | 12A | 124 BPM | ||
Canção Pequena (Arr. for Oboe & Harp) | Michael Cohen, Alex Klein, Rita Costanzi | A Minor | 0 | 8A | 62 BPM |
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