Francesca Torelli, Charles Mouton made "L'impromptu: Allemande" available on September 11, 2020. The duration of L'impromptu: Allemande is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. L'impromptu: Allemande's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charles Mouton, Francesca Torelli's "Le Dialogue - Charles Mouton Lute Suites" album is number 14 out of 24. On top of that, United States appears to be the country where this track was created. Based on our statistics, L'impromptu: Allemande's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of L'impromptu: Allemande by Francesca Torelli, Charles Mouton to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preludium, P. 98 | John Dowland, Bor Zuljan | F Minor | 1 | 4A | 95 BPM | ||
The False Consonances of Musick, Aria II | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
Te deum, LWV 55: VIII. Te ergo quaesumus | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Suite in C Minor from Ms. Lobkowicz: III. La brillante Courante | Charles Mouton, Anders Ericson | B Minor | 2 | 10A | 99 BPM | ||
Canzon quinta a tre | Bartolomé de Selma y Salaverde, La Ritirata, Josetxu Obregon | C Major | 3 | 8B | 74 BPM | ||
A Sonata of Scots Tunes: IV. Cromlit's Lilt (Largo) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | B Major | 2 | 1B | 143 BPM | ||
Amarilli | Abdolreza Rostamian, Francesca Torelli, Marco Angilella | E Minor | 2 | 9A | 133 BPM | ||
Corrente L'Alfonsina | Francesca Torelli | B Minor | 0 | 10A | 127 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: I. Prélude | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM | ||
Piva for Lute & Bass Viol | Joan Ambrosio Dalza, Geneva Baroque Duo | D♭ Major | 2 | 3B | 135 BPM |
Section: 0.6223728656768799
End: 0.6262185573577881