Slovak Radio Symphony Orchestra, Peter Breiner's 'Seychelles (arr. P. Breiner): Seychelles [Koste Seselwa (Seychellois, Unite!), "Seychelles, our homeland…"]' came out on June 1, 2006. With Seychelles (arr. P. Breiner): Seychelles [Koste Seselwa (Seychellois, Unite!), "Seychelles, our homeland…"] being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 50 in the song's album "National Anthems Of The World, Vol. 7: Qatar - Syria". In this album, this song's track order is #30. Seychelles (arr. P. Breiner): Seychelles [Koste Seselwa (Seychellois, Unite!), "Seychelles, our homeland…"] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seychelles (arr. P. Breiner): Seychelles [Koste Seselwa (Seychellois, Unite!), "Seychelles, our homeland…"] by Slovak Radio Symphony Orchestra, Peter Breiner having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La fille mal gardée (Rev. Lanchbery), Act I: No. 17a, Clog Dance | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | G Minor | 1 | 6A | 130 BPM | ||
The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | B♭ Major | 2 | 6B | 103 BPM | ||
Gopak from Sorochinsky Fair | Modest Mussorgsky, Philharmonia Orchestra, Geoffrey Simon | G Major | 2 | 9B | 157 BPM | ||
Lord Peter's Stable-Boy | Percy Grainger, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 78 BPM | ||
Coppelia: Act I - Prelude | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 88 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
The Snow Maiden Suite: Danse des bouffons (Dance of the Clowns) | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Donald Johanos | E♭ Major | 4 | 5B | 97 BPM | ||
Don Quixote: Prologue: Allegro | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Minor | 0 | 8A | 128 BPM | ||
Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
Tosca: Recondita armonia | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | E Minor | 3 | 9A | 112 BPM |
Section: 0.7214663028717041
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