"Seasons in Hell: Act I: Marseille" by College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui was released on October 1, 1997. The duration of Seasons in Hell: Act I: Marseille is about 3 minutes long, at 3:00. Based on our data, "Seasons in Hell: Act I: Marseille" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "Seasons in Hell". In this album, this song's track order is #1. Seasons in Hell: Act I: Marseille is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seasons in Hell: Act I: Marseille by College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 - Return to Middle Earth: I. Mîri na Fëanor - Fëanors Juwelen | Johan de Meij, Neuer Kammerchor Heidenheim, Landesblasorchester Baden-Württemberg, Björn Bus, Katarzyna Jagiello | B♭ Major | 1 | 6B | 68 BPM | ||
Ecos de Eternidad: I Saludos II | Jan Sandström, Christian Lindberg, Pedro Carrero, Símon Bolívar Symphony Orchestra | G Major | 1 | 9B | 175 BPM | ||
Symphony No. 2: III | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
Sancta civitas: And I saw a new Heaven | Ralph Vaughan Williams, Andrew Staples, Matthew Brook, The Bach Choir, Winchester Cathedral Choristers, Winchester College Quiristers, Bournemouth Symphony Orchestra, David Hill | A Major | 1 | 11B | 111 BPM | ||
To the Hands: No. 5. Litany of the Displaced | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | D Minor | 1 | 7A | 92 BPM | ||
Medea Suite, Op. 23: III. The Young Princess. Jason | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 111 BPM | ||
Wagner: Tannhäuser, Act 3: "Wie Todesahnung, Dämmrung deckt die Lande" (Wolfram) | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin, Thomas Hampson | E Major | 0 | 12B | 129 BPM | ||
Concerto for Two Pianos and Orchestra "In Unison": Neon Toccata | Joey Roukens, Lucas Jussen, Arthur Jussen, Netherlands Radio Philharmonic Orchestra, Karina Canellakis | F Minor | 2 | 4A | 95 BPM | ||
Dr. Merryheart: VI. Variation 5: Merryheart Fights A Dragon (Merryheart kampft mit dem Drache) | RTÉ National Symphony Orchestra, Havergal Brian | F Minor | 0 | 4A | 85 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM |
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