"Symphony No. 2: III" by Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste was released on April 20, 2018. With this song being about 5 minutes long, at 4:47, "Symphony No. 2: III" by Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 11 in Arvo Pärt: The Symphonies by Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Symphony No. 2: III is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 2: III by Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso no.1 (1976-77): 2. Toccata: Allegro | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | D Major | 5 | 10B | 134 BPM | ||
Le marteau sans maître: Avant "l'Artisanat furieux" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 0 | 4A | 173 BPM | ||
Symphony No. 2, Op. 132, "Mysterious Mountain": III. Andante espressivo | Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz | C Major | 0 | 8B | 91 BPM | ||
Tabuh-Tabuhan: I. Ostinatos | Colin McPhee, Leonard Slatkin, BBC Symphony Orchestra, John Alley, Elizabeth Burley | D Minor | 2 | 7A | 108 BPM | ||
The Dream of Gerontius, Op. 38: No. 1, Prelude to Part One | Edward Elgar, Anne Sofie von Otter, Sir Colin Davis, London Symphony Orchestra | D Minor | 0 | 7A | 79 BPM | ||
Méditation Hébraïque | Ernest Bloch, Sol Gabetta | F Major | 1 | 7B | 99 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Spring Rounds | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Minor | 0 | 3A | 135 BPM | ||
Violin Concerto in D Minor, Op. 15: I. Moderato con moto | Benjamin Britten, Lorraine McAslan, English Chamber Orchestra, Steuart Bedford | D Major | 2 | 10B | 101 BPM | ||
The Seasons: 9. Finale (Prelude I) | John Cage, Herbert Henck | E Minor | 0 | 9A | 0 BPM |
Section: 0.6761910915374756
End: 0.6827611923217773