"Mozart: Requiem in D Minor, K. 626: XIV. Communio" by Wolfgang Amadeus Mozart, Riccardo Muti, Patrizia Pace, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker was released on 1987. Mozart: Requiem in D Minor, K. 626: XIV. Communio is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Riccardo Muti's "Mozart: Requiem" album is number 14 out of 15. Mozart: Requiem in D Minor, K. 626: XIV. Communio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: XIV. Communio by Wolfgang Amadeus Mozart, Riccardo Muti, Patrizia Pace, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Così fan tutte, K. 588: Act 1: "Faccia Che Al Campo Giunga" - Terzettino "Soave Sia Il Vento" | Wolfgang Amadeus Mozart, Concerto Köln, Véronique Gens, Bernarda Fink, Pietro Spagnoli, René Jacobs | A♭ Minor | 0 | 1A | 167 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
St. Matthew Passion, BWV 244 / Part One: No. 9: "Du lieber Heiland du" | Johann Sebastian Bach, Christa Ludwig, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 178 BPM | ||
Le nozze di Figaro, K. 492 / Act 4: "Gente, gente, all'armi" | Wolfgang Amadeus Mozart, London Philharmonic Orchestra, Sir Georg Solti, Thomas Allen, Samuel Ramey, Philip Langridge, Robert Tear, Giorgio Tadeo, Kurt Moll, Lucia Popp, Kiri Te Kanawa | G Major | 2 | 9B | 73 BPM | ||
Variations On A Rococo Theme, Op.33, TH.57: Variazione III: Andante sostenuto | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 103 BPM | ||
Requiem | Giacomo Puccini, Coro Sinfonico di Milano Giuseppe Verdi, Gabriele Mugnai, Roberto de Thierry, Riccardo Chailly | D Minor | 0 | 7A | 71 BPM | ||
Tchaikovsky : Violin Concerto in D major Op.35 : II Canzonetta - Andante | Pyotr Ilyich Tchaikovsky, Maxim Vengerov, Claudio Abbado, Berliner Philharmoniker | E♭ Major | 0 | 5B | 131 BPM | ||
Così fan tutte, K. 588: Act 1: Terzetto "La Mia Dorabella" | Wolfgang Amadeus Mozart, Concerto Köln, Pietro Spagnoli, Marcel Boone, Werner Güra, René Jacobs | G Major | 0 | 9B | 82 BPM | ||
Rossini: Petite messe solennelle, Part 1: I. Kyrie - Christie eleison - Kyrie eleison (Chorus) | Gioachino Rossini, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Major | 0 | 11B | 97 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2h. Gloria: Cum Sancto Spiritu | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 2 | 8B | 73 BPM |
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