Wolfgang Amadeus Mozart, Concerto Köln, Pietro Spagnoli, Marcel Boone, Werner Güra, René Jacobs's 'Così fan tutte, K. 588: Act 1: Terzetto "La Mia Dorabella"' came out on 1999. With Così fan tutte, K. 588: Act 1: Terzetto "La Mia Dorabella" being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Concerto Köln, René Jacobs, Kölner Kammerchor's "Mozart: Così fan tutte" album is number 2 out of 57. On top of that, France appears to be the country where this track was created. Così fan tutte, K. 588: Act 1: Terzetto "La Mia Dorabella" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Così fan tutte, K. 588: Act 1: Terzetto "La Mia Dorabella" by Wolfgang Amadeus Mozart, Concerto Köln, Pietro Spagnoli, Marcel Boone, Werner Güra, René Jacobs to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Act II, Scene 2, Coro: Vieni ai regni del riposo | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | A Minor | 1 | 8A | 88 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1 Scene 1: "Non sperar, se non m'uccidi" (Donna Anna, Don Giovanni, Leporello) | Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra | B♭ Major | 3 | 6B | 94 BPM | ||
Exsultate, jubilate, K. 165: II. Fulget amica dies | Wolfgang Amadeus Mozart, Barbara Bonney, The English Concert, Trevor Pinnock, Roger Hamilton | D Major | 0 | 10B | 103 BPM | ||
Così fan tutte, K.588 / Act II: "Bravo, questa è costanza" | Wolfgang Amadeus Mozart, Alessandro Corbelli, Rolando Villazón, Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D Minor | 2 | 7A | 83 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Gente, gente, all'armi" | Wolfgang Amadeus Mozart, Boje Skovhus, Cheryl Studer, Sylvia McNair, Lucio Gallo, Cecilia Bartoli, Anna Caterina Antonacci, Carlo Allemano, Istvan Gati, Andrea Rost, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 122 BPM | ||
Le Nozze di Figaro, K. 492: Atto terzo. Scene 1-3. N.17 Duettino Il Conte, Susanna "Crudel! Perché finora" | Wolfgang Amadeus Mozart, Concerto Köln, Patrizia Ciofi, René Jacobs, Simon Keenlyside | E Major | 2 | 12B | 124 BPM | ||
Requiem in D minor, K.626: 3. Sequentia: Recordare | Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner | C Major | 1 | 8B | 88 BPM | ||
Requiem in D minor, K.626: 4. Offertorium: Domine Jesu | Wolfgang Amadeus Mozart, Sylvia McNair, Carolyn Watkinson, Francisco Araiza, Robert Lloyd, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 2 | 5A | 95 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: 2. Adagio | Wolfgang Amadeus Mozart, Sam Franko, Henryk Szeryng, New Philharmonia Orchestra, Alexander Gibson | D Major | 1 | 10B | 101 BPM | ||
Missa Brevis In C Major Kv 259, Orgelsolo Messe: Gloria | Nicol Matt, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Chrisof Fischesser, Reinhard Geller, Barbara Werner, Petra Labitzke, Daniel Sans, Jens Wollenschläger, Wolfgang Amadeus Mozart | C Major | 2 | 8B | 122 BPM |
Section: 0.8227996826171875
End: 0.826850414276123