"Così fan tutte, K.588 / Act II: "Bravo, questa è costanza"" by Wolfgang Amadeus Mozart, Alessandro Corbelli, Rolando Villazón, Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin was released on January 1, 2013. With Così fan tutte, K.588 / Act II: "Bravo, questa è costanza" being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sam Cooke, Joy Denalane, Daniel Hope, Sylvia Thereza, Francesco Tristano, Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Adam Plachetka, Rolando Villazón, Mojca Erdmann, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin's "Mozart: Così fan tutte" album is number 5 out of 64. On top of that, Germany appears to be the country where this track was created. Così fan tutte, K.588 / Act II: "Bravo, questa è costanza" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Così fan tutte, K.588 / Act II: "Bravo, questa è costanza" by Wolfgang Amadeus Mozart, Alessandro Corbelli, Rolando Villazón, Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Aria - Aprite Un Po' Quegl'occhi | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Roberto Frontali, Ingrid Kertesi, Hungarian State Opera Orchestra, Maria Pia Ionata, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | E♭ Major | 3 | 5B | 131 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Appendix - Act II No. 13a: Arietta - Un moto di gioia | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | G Major | 0 | 9B | 0 BPM | ||
La traviata / Act 1: "Dell'invito trascorsa è già l'ora" | Giuseppe Verdi, Anna Netrebko, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Rolando Villazón, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | A Major | 2 | 11B | 82 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Crudel! perchè finora" | Wolfgang Amadeus Mozart, Thomas Hampson, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | A Major | 1 | 11B | 125 BPM | ||
Verdi: Rigoletto, Act 2 Scene 1: No. 8, Scena ed Aria, "Ella mi fu rapita … Parmi veder le lagrime" (Duca) | Giuseppe Verdi, Rolando Villazón, Marcello Viotti, Munich Radio Orchestra, Muenchner Rundfunkorchester | E♭ Major | 1 | 5B | 85 BPM | ||
Die Zauberflöte, K. 620, Act I No. 8: Finale - Zum Ziele fuhrt dich diese Bahn | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | D Major | 2 | 10B | 82 BPM | ||
La traviata / Act 3: Signora...Che t'accadde...Parigi, o cara | Giuseppe Verdi, Diane Pilcher, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 1 | 4B | 87 BPM | ||
La finta giardiniera: Act I, Scena prima No.1 Introduzione Ramiro, Podestà, Sandrina, Nardo, Serpetta: Che lieto giorno | Wolfgang Amadeus Mozart, René Jacobs, Freiburger Barockorchester, Michael Nagy, Marie-Claude Chappuis, Sunhae Im, Nicolas Rivenq, Sophie Karthäuser | D Major | 3 | 10B | 146 BPM | ||
Die Zauberflöte, K. 620 / Act 2: "O Isis und Osiris" | Wolfgang Amadeus Mozart, Franz-Josef Selig, RIAS Kammerchor, Justin Doyle, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 1 | 7B | 140 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "Basilio, in traccia tosto" | Wolfgang Amadeus Mozart, Thomas Hampson, Dawn Upshaw, Anne Sofie von Otter, Anthony Laciura, Metropolitan Opera Orchestra, James Levine | C Major | 1 | 8B | 109 BPM |
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