"Messa di Requiem, Dies irae: Rex tremendae" by Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker was released on November 6, 2001. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Roberto Alagna, Angela Gheorghiu, Berliner Philharmoniker, Claudio Abbado. The song's track number on the album is #8 out of 21 tracks. Messa di Requiem, Dies irae: Rex tremendae is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa di Requiem, Dies irae: Rex tremendae by Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Messa di Requiem, Dies irae: Rex tremendae being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca / Act I: "Ah! Finalmente!" | Giacomo Puccini, José Carreras, Gottfried Hornik, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 134 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: Veni, veni, venias | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre Du Capitole De Toulouse | F Major | 5 | 7B | 78 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "Non so più cosa son, cosa faccio" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 122 BPM | ||
Rigoletto / Act 2: "Possente amor" | Giuseppe Verdi, Luciano Pavarotti, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | D Major | 4 | 10B | 135 BPM | ||
Carmen, Act II: No.16 Chanson : Halte-là! Qui va là? (Don José/Carmen/Frasquita/Mercédès/Le Dancaïro/Le Remendado) | Georges Bizet, Roberto Alagna, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D♭ Minor | 1 | 12A | 91 BPM | ||
La Bohème / Act 1: "Si sente meglio?" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 124 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Papagena! Papagena!" | Wolfgang Amadeus Mozart, Hanno Müller-Brachmann, Soloists of the Tölzer Knabenchor, Dorothea Röschmann, Mahler Chamber Orchestra, Claudio Abbado | G Major | 2 | 9B | 128 BPM | ||
Bizet: Carmen, WD 31, Act 2 Scene 5: No. 17b, Cantabile, "La fleur que tu m'avais jetée" (Don José) | Georges Bizet, Roberto Alagna, Michel Plasson, Orchestre National Du Capitole De Toulouse | D♭ Major | 2 | 3B | 87 BPM | ||
Pagliacci / Act 1: Intermezzo | Ruggero Leoncavallo, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 91 BPM | ||
Requiem: IIf. Rex tremendae | Giuseppe Verdi, Mirella Freni, Christa Ludwig, Carlo Cossutta, Nicolai Ghiaurov, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 169 BPM |
Section: 0.6471436023712158
End: 0.65226149559021