Giuseppe Verdi, Luciano Pavarotti, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge's 'Rigoletto / Act 2: "Possente amor"' came out on January 1, 1971. The duration of Rigoletto / Act 2: "Possente amor" is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Rigoletto / Act 2: "Possente amor"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Dame Joan Sutherland, Luciano Pavarotti, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge. The song's track number on the album is #3 out of 29 tracks. Based on our statistics, Rigoletto / Act 2: "Possente amor"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto / Act 2: "Possente amor" by Giuseppe Verdi, Luciano Pavarotti, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Rigoletto / Act 2: "Possente amor" being at 135 BPM, the half-time would be 68 BPM with a double-time of 270 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde, WWV 90 / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) | Richard Wagner, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | B Major | 2 | 1B | 142 BPM | ||
L'elisir d'amore / Act I: "Quanto è bella" | Gaetano Donizetti, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | C Major | 2 | 8B | 80 BPM | ||
Manon Lescaut / Act 1: L'amor?! L'amor?! | Giacomo Puccini, Luciano Pavarotti, Ramón Vargas, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | G Major | 3 | 9B | 84 BPM | ||
Madama Butterfly / Act 1: Cio-cio-san! Cio-cio-san! | Giacomo Puccini, Marius Rintzler, Luciano Pavarotti, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 92 BPM | ||
La traviata / Act 3: Ah, Violetta!...Se una pudica vergine | Giuseppe Verdi, Matteo Manuguerra, Dame Joan Sutherland, Luciano Pavarotti, Marjon Lambriks, Giorgio Tadeo, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 2 | 12A | 79 BPM | ||
La Bohème / Act 1: "Io resto" | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 93 BPM | ||
L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 75 BPM | ||
Nabucco / Act IV: Cadran, cadranno i perfidi ...O prodi miei, seguitemi | Giuseppe Verdi, Volker Horn, Piero Cappuccilli, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | E♭ Major | 5 | 5B | 138 BPM | ||
Eugene Onegin, Op.24, TH.5 / Act 3: "Lyubvi vsye vozrasti pokorni" | Nicolai Ghiaurov, London Symphony Orchestra, Sir Edward Downes | F♯ Major | 1 | 2B | 132 BPM | ||
Rossini: Il barbiere di Siviglia, Act 3: Recitativo. "Ah, disgraziati noi!" (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 2 | 8B | 65 BPM |
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