"Arabella, Op. 79 / Act 3: Sie hier? So muss ich fragen, Arabella" by Richard Strauss, Kiri Te Kanawa, Peter Seiffert, Orchestra of the Royal Opera House, Covent Garden, Jeffrey Tate was released on January 1, 1987. With this song being about 5 minutes long, at 5:09, "Arabella, Op. 79 / Act 3: Sie hier? So muss ich fragen, Arabella" by Richard Strauss, Kiri Te Kanawa, Peter Seiffert, Orchestra of the Royal Opera House, Covent Garden, Jeffrey Tate is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 40 in the song's album "Strauss, R.: Arabella". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Arabella, Op. 79 / Act 3: Sie hier? So muss ich fragen, Arabella is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Arabella, Op. 79 / Act 3: Sie hier? So muss ich fragen, Arabella by Richard Strauss, Kiri Te Kanawa, Peter Seiffert, Orchestra of the Royal Opera House, Covent Garden, Jeffrey Tate having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom | Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White | C Major | 2 | 8B | 138 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Salome, Op. 54 / Scene 2: "Jauchze nicht, du Land Palästina" | Richard Strauss, Cheryl Studer, Marianne Rorholm, Bryn Terfel, Clemens Bieber, Bengt Rundgren, William Murray, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | A♭ Major | 3 | 4B | 128 BPM | ||
Grieg : Symphonic Dances Op.64 : No.2 in A Major | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 110 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM | ||
Symphony No. 3 in E Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | C Major | 1 | 8B | 81 BPM | ||
Intermezzo, Op. 72, TrV 246a, 4 Symphonic Interludes: Intermezzo, Op. 72, TrV 246a: Träumerei am Kamin (Dreaming by the Fireside) | Richard Strauss, Orchestre Philharmonique De Strasbourg, Marc Albrecht | A♭ Major | 0 | 4B | 140 BPM |
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