"Fedora / Act 1: Rigida è assai...O grandi occhi lucenti" by Umberto Giordano, Angela Gheorghiu, Nicola Pamio, Orchestre Symphonique De La Monnaie, Alberto Veronesi was released on January 1, 2011. The duration of Fedora / Act 1: Rigida è assai...O grandi occhi lucenti is about 3 minutes long, at 3:12. Based on our data, "Fedora / Act 1: Rigida è assai...O grandi occhi lucenti" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Umberto Giordano, Angela Gheorghiu, Plácido Domingo, Nino Machaidze, Fabio Maria Capitanucci, Orchestre Symphonique De La Monnaie, Alberto Veronesi's "Giordano: Fedora" album is number 2 out of 23. On top of that, Germany appears to be the country where this track was created. The popularity of Fedora / Act 1: Rigida è assai...O grandi occhi lucenti is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fedora / Act 1: Rigida è assai...O grandi occhi lucenti by Umberto Giordano, Angela Gheorghiu, Nicola Pamio, Orchestre Symphonique De La Monnaie, Alberto Veronesi to be Vivace (lively and fast) because the track has a tempo of 167 BPM, a half-time of 84BPM, and a double-time of 334 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi- Messa Da Requiem- 1. Requiem - Original | Sir Georg Solti, Vienna Philharmonic Solti | A Major | 1 | 11B | 73 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Carmen (1997 - Remaster), Act III: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 2 | 7A | 132 BPM | ||
Catalani: La Wally, Act 1: "Ebben, ne andrò lontana" (Wally) | Alfredo Catalani, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | E Major | 1 | 12B | 84 BPM | ||
Jenufa / Act 2: Co chvila ... co chvila | Leoš Janáček, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B Major | 2 | 1B | 77 BPM | ||
Andrea Chenier: Act II: Per ex l'inferno! | Umberto Giordano, Maria Ewing, Michel Sénéchal, Enzo Dara, James Levine | G Major | 6 | 9B | 112 BPM | ||
Carmen (1997 - Remaster), Act I: Que se passe-t-il donc là-bas?...Au secours! | Georges Bizet, Jacques Mars/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Major | 3 | 10B | 75 BPM | ||
Faust / Act 3: Air des bijoux: "Ah! Je ris de me voir" | Charles Gounod, Kiri Te Kanawa, Bavarian Radio Symphony Orchestra, Sir Colin Davis | F Major | 1 | 7B | 115 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Le Conseiller Lindorf, morbleu! (Lindorf/Andrès) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | F♯ Major | 0 | 2B | 97 BPM |
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