"Redes (suite): 2. Second Part" by Silvestre Revueltas, Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz was released on January 1, 1994. Since Redes (suite): 2. Second Part is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz's "Musica Mexicana Vol. 4" album is number 2 out of 11. Based on our statistics, Redes (suite): 2. Second Part's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Redes (suite): 2. Second Part by Silvestre Revueltas, Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Stravinsky: Petrouchka, Tableau I "La foire du Mardi-Gras": Introduction - Fête populaire de la semaine grasse (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | D Major | 9 | 10B | 142 BPM | ||
The Four Seasons of Buenos Aires: Primavera Porteña - "Spring": Primavera Porteña - "Spring" - Arranged by Leonid Desyatnikov | Astor Piazzolla, Lara St. John, Simón Bolívar Youth Orchestra of Venezuela, Eduardo Marturet | C Minor | 1 | 5A | 96 BPM | ||
Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Jess Danger | Bev Saunders | E♭ Minor | 0 | 2A | 75 BPM | ||
Marche funebre | Luigi Cherubini, Radio Svizzera Italiana Orchestra, Diego Fasolis | D Minor | 0 | 7A | 82 BPM | ||
Concierto de Otoño: III. Conga de flores | Arturo Márquez, Pacho Flores, Orquesta Sinfónica de Minería, Carlos Miguel Prieto | D Major | 2 | 10B | 92 BPM | ||
Girls Love Liars | Hollers Gang | E Major | 1 | 12B | 50 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM |
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