Astor Piazzolla, Lara St. John, Simón Bolívar Youth Orchestra of Venezuela, Eduardo Marturet's 'The Four Seasons of Buenos Aires: Primavera Porteña - "Spring": Primavera Porteña - "Spring" - Arranged by Leonid Desyatnikov' came out on April 14, 2009. With this song being about 5 minutes long, at 5:16, "The Four Seasons of Buenos Aires: Primavera Porteña - "Spring": Primavera Porteña - "Spring" - Arranged by Leonid Desyatnikov" by Astor Piazzolla, Lara St. John, Simón Bolívar Youth Orchestra of Venezuela, Eduardo Marturet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vivaldi: The Four Seasons - Piazzolla: The Four Seasons of Buenos Aires by Lara St. John, Simón Bolívar Youth Orchestra of Venezuela, Eduardo Marturet. The song's track number on the album is #15 out of 16 tracks. In terms of popularity, The Four Seasons of Buenos Aires: Primavera Porteña - "Spring": Primavera Porteña - "Spring" - Arranged by Leonid Desyatnikov is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Four Seasons of Buenos Aires: Primavera Porteña - "Spring": Primavera Porteña - "Spring" - Arranged by Leonid Desyatnikov by Astor Piazzolla, Lara St. John, Simón Bolívar Youth Orchestra of Venezuela, Eduardo Marturet has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Four Seasons of Buenos Aires: Primavera Porteña - "Spring": Primavera Porteña - "Spring" - Arranged by Leonid Desyatnikov being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
V Bailongo | Jorge Luis Borges, Astor Piazzolla | C Major | 6 | 8B | 128 BPM | ||
Paganini-Jazz for Piano (Arr. for Jazz Quartet) | Fazıl Say, Niklas Liepe | A Minor | 2 | 8A | 131 BPM | ||
Libertango - Arr. for Guitar and Strings by Dmitry Borodaev | Astor Piazzolla, Artyom Dervoed, Yuri Medianik, Sergey Shamov, Vladislav Lavrik, David Molard Soriano, Russian National Orchestra | A Minor | 5 | 8A | 141 BPM | ||
El Choclo | Forever Tango | D Minor | 5 | 7A | 126 BPM | ||
Double Violin Concerto in D Minor, I. Vivace | Johann Sebastian Bach, Camerata Brasil | D Minor | 5 | 7A | 108 BPM | ||
La Catedral: Allegro Solemne | Berta Rojas | B Minor | 3 | 10A | 82 BPM | ||
Bandoneon | Astor Piazzolla | D Minor | 2 | 7A | 127 BPM | ||
Valse-chôro | Heitor Villa-Lobos, Mickael Viegas | E Minor | 2 | 9A | 90 BPM | ||
María Santísima de Araceli | Alberto Iglesias | A Minor | 1 | 8A | 136 BPM | ||
Mano A Mano | Hugo Díaz | A Minor | 3 | 8A | 102 BPM |
Section: 0.6977269649505615
End: 0.7026982307434082