Giovanni Bottesini, Rick Stotijn, Olivier Thiery, Camerata RCO made "Passione amorosa (Arr. B. Furtok for 2 Double Basses & Chamber Ensemble): II. Andante" available on October 7, 2022. With this song being about 5 minutes long, at 4:46, "Passione amorosa (Arr. B. Furtok for 2 Double Basses & Chamber Ensemble): II. Andante" by Giovanni Bottesini, Rick Stotijn, Olivier Thiery, Camerata RCO is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 14 in Doppio espressivo by Rick Stotijn, Camerata RCO. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Passione amorosa (Arr. B. Furtok for 2 Double Basses & Chamber Ensemble): II. Andante's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Passione amorosa (Arr. B. Furtok for 2 Double Basses & Chamber Ensemble): II. Andante by Giovanni Bottesini, Rick Stotijn, Olivier Thiery, Camerata RCO is Allegro (fast, quick, and bright), since this song has a tempo of 152 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passione amorose (Orch. B. Furtok): I. Andante | Giovanni Bottesini, Boguslaw Furtok, Johannes Stähle, Hr-sinfonieorchester, Ulrich Edelmann | A Major | 1 | 11B | 122 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Prélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): I. Prélude. Andantino | César Franck, Jean-Pierre Armengaud | D Major | 0 | 10B | 66 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
6 Sonatas for Violin Solo, Op. 27: Sonata No. 3 in D Minor "Ballade" | Eugène Ysaÿe, Hilary Hahn | G Minor | 2 | 6A | 108 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Concerto in D major for Double-bass and Orchestra: 1. Allegro Moderato | Johann Baptist Vanhal, Odon Racz, Franz Liszt Chamber Orchestra | D Major | 1 | 10B | 105 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Double Bass Concerto No. 2 in B Minor: II. Andante | Giovanni Bottesini, Gergely Jardanyi, Budapest Chamber Symphony, János Ács | G Major | 0 | 9B | 71 BPM |
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