"All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 11, Having Beheld the Resurrection of Christ" by Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava was released on May 1, 2020. The duration of All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 11, Having Beheld the Resurrection of Christ is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 11, Having Beheld the Resurrection of Christ's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Tchaikovsky: All-Night Vigil & Other Sacred Choral Works". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Finland. All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 11, Having Beheld the Resurrection of Christ is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 11, Having Beheld the Resurrection of Christ by Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schwanensee, Op. 20: Act II No. 10: Scene | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | E Minor | 2 | 9A | 87 BPM | ||
Elfentanz, Op. 39 - Dance of the Elves | David Popper, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov | G Major | 4 | 9B | 96 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): Promenade II | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 0 | 4B | 73 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Coppélia: Galop final | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden | E♭ Major | 3 | 5B | 79 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM |
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