Léo Delibes, Orchestra of the Royal Opera House, Covent Garden made "Coppélia: Galop final" available on 1993. The duration of Coppélia: Galop final is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Coppélia: Galop final's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 24 in Delibes: Coppelia (Highlights) by Léo Delibes, Orchestra of the Royal Opera House, Covent Garden. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Coppélia: Galop final is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Coppélia: Galop final by Léo Delibes, Orchestra of the Royal Opera House, Covent Garden is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
La Bayadere, Act III: 46. "Variation - 3rd Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 170 BPM | ||
La source, ou Naila: Suite No. 2: Suite No. 2: Scherzo Polka | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E Major | 0 | 12B | 82 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Violin Concerto, Op. 48: I. Allegro molto e con brio | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | C Major | 2 | 8B | 145 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
Le Corsaire: Act II - "5. Grand Pas: Variation: Medora" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | F Major | 0 | 7B | 77 BPM | ||
Linda di Chamounix, A. 62: Sinfonia | Gaetano Donizetti, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Violin Concerto No. 4 in D Major, K. 218: 1. Allegro | Wolfgang Amadeus Mozart, Henryk Szeryng, New Philharmonia Orchestra, Alexander Gibson | D Major | 2 | 10B | 121 BPM |
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