Franz Schubert, Arthur Grumiaux, Robert Veyron-Lacroix made "Sonatina for Violin and Piano No. 3 in G minor, D.408: 1. Allegro giusto" available on January 1, 1972. With this song being about 5 minutes long, at 5:04, "Sonatina for Violin and Piano No. 3 in G minor, D.408: 1. Allegro giusto" by Franz Schubert, Arthur Grumiaux, Robert Veyron-Lacroix is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Schubert: Sonatina in D; Duo in A etc.". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Sonatina for Violin and Piano No. 3 in G minor, D.408: 1. Allegro giusto is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sonatina for Violin and Piano No. 3 in G minor, D.408: 1. Allegro giusto by Franz Schubert, Arthur Grumiaux, Robert Veyron-Lacroix having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D Major | 1 | 10B | 125 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Nacht und Traume, D. 827 | Franz Schubert, Brigitte Geller, Ulrich Eisenlohr | E♭ Major | 1 | 5B | 102 BPM | ||
Nocturne No. 4 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 69 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Romance in F Minor, Op. 11, B. 38 (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B♭ Minor | 0 | 3A | 209 BPM |
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