"Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble)" by Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists was released on August 7, 2020. The duration of Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 8 in Dvořák: Cello Concerto by Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble)'s popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble) by Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
Die Zauberflöte, K. 620: Ach, ich fühl's, es ist verschwunden (Arr. Spindler for Oboe and Piano) | Wolfgang Amadeus Mozart, Albrecht Mayer, Fabian Müller | C Minor | 5 | 5A | 117 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Masquerade (Suite): 1. Waltz - Excerpt | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 3 | 8B | 67 BPM | ||
Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | G Minor | 0 | 6A | 90 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
String Quartet No. 5 in F Minor, Op. 9, B. 37: II. Andante con moto quasi allegretto | Antonín Dvořák, Vlach Quartet Prague | A♭ Major | 1 | 4B | 132 BPM | ||
Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM |
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