Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo
Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot
Fauré: Masques et bergamasques & Pelléas et Mélisande
3:47 June 10, 2014
BPM
80
Key
F♯ Minor
Camelot
11A

Embed

Share Link

Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo - Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot Information

Acousticness
98%
Danceability
17%
Energy
2%
Instrumentalness
76%
Liveness
8%
Loudness
49%
Speechiness
4%
Valence
4%
Popularity
Loudness
-30.41 dB

Summary

"Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo" by Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot was released on June 10, 2014. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 18 in Fauré: Masques et bergamasques & Pelléas et Mélisande by Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot. Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo BPM

The tempo marking of Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo by Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Adagio in F, H.XVII No.9 by Franz Joseph Haydn, Alfred BrendelAdagio in F, H.XVII No.9Franz Joseph Haydn, Alfred BrendelF Major07B71 BPM
Sonata in E Major, K. 380 by Domenico Scarlatti, Khatia BuniatishviliSonata in E Major, K. 380Domenico Scarlatti, Khatia BuniatishviliB Major01B84 BPM
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio by Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber OrchestraCello Concerto No. 1 in C Major, Hob. VIIb:1: II. AdagioFranz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber OrchestraF Major17B62 BPM
For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] by Béla Bartók, Fülöp RánkiFor Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version]Béla Bartók, Fülöp RánkiB Minor010A78 BPM
14 Romances, Op. 34: No. 1, The Muse (Arr. Sheku Kanneh-Mason for Cello and Piano) by Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason14 Romances, Op. 34: No. 1, The Muse (Arr. Sheku Kanneh-Mason for Cello and Piano)Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-MasonE Minor19A86 BPM
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile by Federico Mompou, Daniil TrifonovVariations On A Theme By Chopin: Variation 1. Tranquillo e molto amabileFederico Mompou, Daniil TrifonovA Major011B66 BPM
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume by Robert Schumann, Kian Soltani, Aaron PilsanMyrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine BlumeRobert Schumann, Kian Soltani, Aaron PilsanF Major07B116 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] by Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzEtudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzA Minor08A70 BPM
Carmen Fantasy, Op. 25: I. Moderato by Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-EstradaCarmen Fantasy, Op. 25: I. ModeratoPablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-EstradaD Major110B89 BPM
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78Felix Mendelssohn, Jan LisieckiG Minor06A168 BPM
ISRC
QMB2S1400401
Label
L-M Records/RCA Records

Section: 0.6422848701477051

End: 0.6461591720581055