"La traviata / Act 3: Addio del passato - Live At Festspielhaus, Salzburg / 2005" by Giuseppe Verdi, Anna Netrebko, Carlo Rizzi, Wiener Philharmoniker was released on January 1, 2009. La traviata / Act 3: Addio del passato - Live At Festspielhaus, Salzburg / 2005 is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The song is number 16 out of 17 in Anna - The Best of Anna Netrebko by Anna Netrebko. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, La traviata / Act 3: Addio del passato - Live At Festspielhaus, Salzburg / 2005 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La traviata / Act 3: Addio del passato - Live At Festspielhaus, Salzburg / 2005 by Giuseppe Verdi, Anna Netrebko, Carlo Rizzi, Wiener Philharmoniker is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walkure, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | G Major | 2 | 9B | 90 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
La Traviata / Act 2: "Che fai?" - "Nulla" | Giuseppe Verdi, Plácido Domingo, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 3 | 7B | 89 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | ||
La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
Madama Butterfly, SC 74 / Act 2: Addio fiorito asil | Giacomo Puccini, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | B Minor | 2 | 10A | 89 BPM |
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