Claudio Monteverdi, Le Concert d`Astrée/Christopher Maltman/Emmanuelle Haïm/Pascal Bertin/Paul Agnew/Richard Burkhard, Emmanuelle Haïm's 'Monteverdi: L'Orfeo, favola in musica, SV 318, Act 1: "E dopo l'aspro gel del verno ignudo" (Pastori I, II)' came out on 2004. With Monteverdi: L'Orfeo, favola in musica, SV 318, Act 1: "E dopo l'aspro gel del verno ignudo" (Pastori I, II) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Claudio Monteverdi, Emmanuelle Haïm's "Monteverdi: L'Orfeo" album is number 24 out of 80. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Monteverdi: L'Orfeo, favola in musica, SV 318, Act 1: "E dopo l'aspro gel del verno ignudo" (Pastori I, II)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Monteverdi: L'Orfeo, favola in musica, SV 318, Act 1: "E dopo l'aspro gel del verno ignudo" (Pastori I, II) by Claudio Monteverdi, Le Concert d`Astrée/Christopher Maltman/Emmanuelle Haïm/Pascal Bertin/Paul Agnew/Richard Burkhard, Emmanuelle Haïm to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Membra Jesu Nostri, BuxWV 75: I. Ad pedes. Ecce super montes | Dietrich Buxtehude, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 1 | 4B | 97 BPM | ||
Monteverdi: Hor che'l ciel e la terra e'l vento tace, SV 147 | Claudio Monteverdi, Christina Pluhar, Michaela Riener, Lauren Armishaw, Philippe Jaroussky, Jan Van Elsacker, Cyril Auvity, Nicolas Achten, Joao Fernandes | G Major | 1 | 9B | 112 BPM | ||
Pergolesi: Stabat Mater: V. Quis est homo | Giovanni Battista Pergolesi, Philippe Jaroussky, I Barocchisti, Julia Lezhneva, Diego Fasolis | B Minor | 1 | 10A | 114 BPM | ||
Zefiro torna | Claudio Monteverdi, Leif Aruhn-Solén, Johan Linderoth, David Gammelgård, Anders Ericson, Fredrik Malmberg | F Major | 2 | 7B | 76 BPM | ||
Now, Oh Now I Needs Must Part | John Dowland, Grace Davidson, David Miller | G Major | 0 | 9B | 103 BPM | ||
Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM | ||
Serenata con violini (Sinfonia), Op. 8 | Barbara Strozzi, Ensemble Poïésis | A♭ Minor | 0 | 1A | 97 BPM | ||
Madrigali a cinque voci, Libro sesto (1611): Se la mia morte brami | Carlo Gesualdo, Collegium Vocale Gent, Philippe Herreweghe | A Major | 1 | 11B | 115 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 2 | 1B | 89 BPM | ||
Lachrimae Antiquae Novae from Lachrimae, or Seaven Teares | John Dowland, Fretwork | G Minor | 0 | 6A | 113 BPM |
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