Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht's 'Miserere in C Minor Psalm 50, ZWV. 57' came out on October 31, 2012. With this song being about 5 minutes long, at 4:55, "Miserere in C Minor Psalm 50, ZWV. 57" by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Zelenka: De Profundis, Misere & Requiem by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monkia Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht. The song's track number on the album is #2 out of 31 tracks. Based on our data, Belgium was the country where this track was produced or recorded. Miserere in C Minor Psalm 50, ZWV. 57 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Miserere in C Minor Psalm 50, ZWV. 57 by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Miserere in C Minor Psalm 50, ZWV. 57 being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 80 BPM | ||
Pergolesi: Confitebor: III. Fidelia omnia | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Major | 2 | 11B | 107 BPM | ||
Ouverture No. 5 in G Major, Op. XIV: Andante (2) | Il Fondamento | G Major | 1 | 9B | 141 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM | ||
Suite No. 1 in C Major, BWV 1066: III. Gavotte I & II alternativement | Johann Sebastian Bach, Il Fondamento, Paul Dombrecht | D♭ Major | 4 | 3B | 113 BPM | ||
Overture Suite for Three Oboes, Bassoon, Strings and Continuo in G Minor, FWV K/g 2: IV. Aria largo | Johann Friedrich Fasch, Il Fondamento, Paul Dombrecht | D♭ Minor | 1 | 12A | 74 BPM | ||
St. John Passion, BWV 245: Part II: Aria: Zerfliesse, mein Herze (Soprano) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E Minor | 0 | 9A | 114 BPM | ||
Il pianto di Maria: "Giunta l'ora fatal" HWV 234: Cavatina: "Se d'un Dio fui fatta Madre" | George Frideric Handel, Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel | B Minor | 0 | 10A | 174 BPM | ||
Jesu, meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM |
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