"Couperin, F: Quatrième livre de pièces de clavecin, Vingt-cinquième Ordre: V. Les Ombres errantes" by François Couperin, Alexandre Tharaud was released on November 15, 2019. With this song being about 5 minutes long, at 4:48, "Couperin, F: Quatrième livre de pièces de clavecin, Vingt-cinquième Ordre: V. Les Ombres errantes" by François Couperin, Alexandre Tharaud is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Versailles by Alexandre Tharaud. The song's track number on the album is #11 out of 21 tracks. Couperin, F: Quatrième livre de pièces de clavecin, Vingt-cinquième Ordre: V. Les Ombres errantes is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Couperin, F: Quatrième livre de pièces de clavecin, Vingt-cinquième Ordre: V. Les Ombres errantes by François Couperin, Alexandre Tharaud has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Couperin, F: Quatrième livre de pièces de clavecin, Vingt-cinquième Ordre: V. Les Ombres errantes being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM | ||
La Couperin (21e ordre) | François Couperin, Alexandre Tharaud | E Minor | 1 | 9A | 118 BPM | ||
Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Concerts royaux, Concerto No. 4 in E Minor: II. Allemande | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Les Rozeaux (13e ordre) | François Couperin, Alexandre Tharaud | B Minor | 1 | 10A | 67 BPM |
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