"Violin Concerto No. 1 in A Minor, Op. 77: I. Nocturne. Moderato" by Dmitri Shostakovich, Bomsori, Jacek Kaspszyk was released on October 27, 2017. Violin Concerto No. 1 in A Minor, Op. 77: I. Nocturne. Moderato appears to be safe for all ages as it is not explicit. This song is part of Wieniawski & Shostakovich: Bomsori Kim & Warsaw Philharmonic by Bomsori, Jacek Kaspszyk. The song's track number on the album is #4 out of 7 tracks. Violin Concerto No. 1 in A Minor, Op. 77: I. Nocturne. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Violin Concerto No. 1 in A Minor, Op. 77: I. Nocturne. Moderato by Dmitri Shostakovich, Bomsori, Jacek Kaspszyk has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Violin Concerto No. 1 in A Minor, Op. 77: I. Nocturne. Moderato being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Études, Op. 10: No. 4 in C-Sharp Minor "Torrent" | Frédéric Chopin, Maurizio Pollini | D♭ Minor | 3 | 12A | 85 BPM | ||
Masquerade - Ballet Suite: 1. Waltz | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 3 | 8B | 100 BPM | ||
Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): V. Waltz - Scherzo/ Valse-plaisanterie | Lev Atovmyan, Dmitri Shostakovich, Vancouver Symphony Orchestra, Bramwell Tovey | F♯ Major | 3 | 2B | 112 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | F♯ Major | 0 | 2B | 88 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Michael Healy, RTE Sinfonietta, John Georgiadis | D Major | 0 | 10B | 75 BPM | ||
Csardas | Vittorio Monti, Robert Koenig, Si-Qing Lu | D Major | 1 | 10B | 175 BPM |
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