George Frideric Handel, Handel & Haydn Society, Christopher Hogwood made "12 Concerti grossi, Op.6 - Concerto grosso in E minor, Op. 6, No. 3: 2. Andante" available on January 1, 1993. With 12 Concerti grossi, Op.6 - Concerto grosso in E minor, Op. 6, No. 3: 2. Andante being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Handel & Haydn Society, Christopher Hogwood's "Handel: Concerti Grossi, Op.6" album is number 11 out of 61. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, 12 Concerti grossi, Op.6 - Concerto grosso in E minor, Op. 6, No. 3: 2. Andante is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 12 Concerti grossi, Op.6 - Concerto grosso in E minor, Op. 6, No. 3: 2. Andante by George Frideric Handel, Handel & Haydn Society, Christopher Hogwood to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in G major Seibel 217: 3. Grave | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 126 BPM | ||
Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
12 Concertos, Op.3 - "L'estro armonico" - Concerto no. 2 in G Minor for 2 violins & cello, RV578: Adagio e Spiccato | Antonio Vivaldi, Iona Brown, Roy Gillard, Kenneth Heath, Christopher Hogwood, Colin Tilney, Robert Spencer, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 69 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: I. Largo - Grave - Vivace - Grave | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 117 BPM | ||
12 Concerti grossi, Op.6 - Concerto grosso in E minor, Op. 6, No. 3: 4. Polonaise | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | F♯ Major | 1 | 2B | 90 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: III. Vivace | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 98 BPM | ||
Florilegium II, Chaconne de la Suite IV « Impatientia » | Georg Muffat, Le Concert Des Nations, Jordi Savall | A Major | 2 | 11B | 138 BPM | ||
12 Concerti grossi, Op.6 - Concerto grosso in G minor, Op. 6, No. 6: 4. Allegro | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | F♯ Minor | 2 | 11A | 134 BPM | ||
Acte 1, sc 1: Marche | George Frideric Handel, Christophe Rousset, Guy Flechter, Sandrine Piau, Vanda Tabery, Olivier Lalouette, Doris Lamprecht, Derek Lee Ragin, Les Talens Lyriques | A♭ Major | 2 | 4B | 178 BPM | ||
Sonata [Concerto IX] in A minor for recorder, 2 violins & basso continuo: V. Allegro | Alessandro Scarlatti, Petr Zejfart/Lorenzo Colitto/Maurizio Naddeo/Europa Galante/Fabio Biondi | A♭ Minor | 1 | 1A | 101 BPM |
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