George Frideric Handel, Handel & Haydn Society, Christopher Hogwood's '12 Concerti grossi, Op.6 - Concerto grosso in E minor, Op. 6, No. 3: 4. Polonaise' came out on January 1, 1993. With this song being about 5 minutes long, at 5:03, "12 Concerti grossi, Op.6 - Concerto grosso in E minor, Op. 6, No. 3: 4. Polonaise" by George Frideric Handel, Handel & Haydn Society, Christopher Hogwood is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Handel & Haydn Society, Christopher Hogwood's "Handel: Concerti Grossi, Op.6" album is number 13 out of 61. In terms of popularity, 12 Concerti grossi, Op.6 - Concerto grosso in E minor, Op. 6, No. 3: 4. Polonaise is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 12 Concerti grossi, Op.6 - Concerto grosso in E minor, Op. 6, No. 3: 4. Polonaise by George Frideric Handel, Handel & Haydn Society, Christopher Hogwood to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In C Major, Op. 6, No. 10: I. Preludio: Andante Largo | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Quido Holbling, Anna Holbling, Capella Istropolitana | A Major | 1 | 11B | 142 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Loure | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 0 | 10B | 97 BPM | ||
Brandenburg Concerto No. 6 in B flat, BWV 1051: 2. Adagio ma non tanto | Johann Sebastian Bach, Trevor Jones, Jan Schlapp, Timothy Mason, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 81 BPM | ||
Sonata II in G Minor, HWV 387, Op. 2 No. 2: III. Largo | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM | ||
Symphony in D Minor, J-C 23: II. Grave | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 73 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 7 in G Major: II. Fuga | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Alain Gervreau | F♯ Major | 3 | 2B | 136 BPM | ||
Concerto for 2 Harpsichords, Strings, and Continuo in C minor, BWV 1062: 2. Andante e piano | Johann Sebastian Bach, Christophe Rousset, Academy of Ancient Music, Christopher Hogwood | D Major | 0 | 10B | 178 BPM | ||
Dido and Aeneas / Act 2: Prelude for the Witches - "Wayward Sisters" | Henry Purcell, David Thomas, Elisabeth Priday, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 122 BPM | ||
Dialogue | Louis Couperin, London Baroque | B Major | 2 | 1B | 101 BPM | ||
Rinaldo, HWV 7b: Act III Scene 11: Battaglia | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | A Major | 3 | 11B | 179 BPM |
Section: 0.9850847721099854
End: 0.989509105682373