"L'Ascension: I. Majeste du Christ demandant sa gloire a son Pere" by Olivier Messiaen, Polish National Radio Symphony Orchestra, Antoni Wit was released on September 7, 2000. L'Ascension: I. Majeste du Christ demandant sa gloire a son Pere is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The track order of this song in Olivier Messiaen, Antoni Wit's "Messiaen: Turangalila Symphony / L'Ascension" album is number 4 out of 14. The popularity of L'Ascension: I. Majeste du Christ demandant sa gloire a son Pere is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'Ascension: I. Majeste du Christ demandant sa gloire a son Pere by Olivier Messiaen, Polish National Radio Symphony Orchestra, Antoni Wit to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musica ricercata: No. 2, Mesto, rigido e cerimoniale | György Ligeti, Pierre-Laurent Aimard | F Major | 0 | 7B | 67 BPM | ||
Turangalîla Symphonie: 2. Chant d'amour 1 | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D♭ Major | 2 | 3B | 153 BPM | ||
Four Orchestral Pieces Op. 12 (Sz 51): I. Preludio | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Sept papillons: Papillons I | Kaija Saariaho, Alexis Descharmes | D Major | 1 | 10B | 86 BPM | ||
L'enfant et les sortilèges, M. 71, Pt. 1: Part I: J'ai pas envie de faire ma page (L'enfant) | Maurice Ravel, Helene Hebrard, Orchestre National De Lyon, Leonard Slatkin | A♭ Major | 0 | 4B | 97 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
Suite de danzas criollas, Op. 15 (2nd version): I. Adagietto pianissimo | Alberto Ginastera, Fernando Viani | C Major | 0 | 8B | 129 BPM | ||
Aus tiefer Not schrei ich zu dir, BWV 687 | Johann Sebastian Bach, Márta Kurtág, György Kurtág | B Minor | 0 | 10A | 79 BPM | ||
Visions fugitives, Op. 22: No. 8, Commodo | Sergei Prokofiev, Laurent Cabasso | A Major | 1 | 11B | 83 BPM | ||
4 Pieces, Op. 51 (arr. Rogal-Levitsky): Fragilite, Op. 51, No. 1 | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | E♭ Major | 0 | 5B | 77 BPM |
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